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For such a humble object, the zine has become quite the cultural force. Typically a small-circulation, self-published collection of texts and images – ... Read more »

Great British Mysteries voyage us back to Tudor times. Will Close plays Teddy – a seafaring dipstick who idolises Sir Walter Raleigh. Meanwhile, Rose R... Read more »

It's your local friendly events editor, refusing to acknowledge second lockdown and instead focusing on far cuter things. Did you know, for example, that we ... Read more »

Optimo b2b Domenic Cappello @ Fireside, Edinburgh, 22 DecKick off your Christmas weekend with Optimo, along with one half of Harri & Domenic at the Fires... Read more »

Ryan Gilbey is feeling like a poacher turned gamekeeper. He’s fresh from filing an interview this morning for The Guardian, where he’ll often be ... Read more »

Thomas Atkinson 1. Transit (Christian Petzold) 2. Atlantics (Mati Diop) 3. Homecoming (Beyoncé) 4. The Irishman (Martin Scorsese) 5. High Life (Clair... Read more »

Adele has been causing Jess Robinson problems. The kind of problems that take a toll on an impressionist who is trying to find her – or is that Adele's... Read more »

LIFE IS OVER! If You Want It sees Tracey McKenna and Edwin Janssen use the exhibition as a space for discussion and reflection, staging various events and ta... Read more »

Following the success of his commission for the 2009 Venice Bienale, Martin Boyce’s lyrical installation No Reflections arrives in the comparatively pr... Read more »

On entering Alex Frost’s solo show at the DCA, the visitor is met with a mural covering the whole of one wall displaying the WiFi logo rendered in swim... Read more »

The Cooper Gallery’s new group show Public Image takes as its theme the ambiguous relationship between ‘us’ and images. Even the greenest o... Read more »

Field is a London-based artists’ collective united by circumstance and a common interest in space and materiality. This eight-strong unit journeyed fro... Read more »

Creative types from across Scotland are invited to make a karaoke video and perform their chosen song in Dundee on 18 September. Buses will be chartered... Read more »

For the screening of Jonathan Horowitz’s 20-minute film Apocalypto Now, the audience is seated in a chamber that’s declared entirely carbon-neutr... Read more »

In the Cooper Gallery’s new show Estrangement, the work of four emerging international artists delivers a filmic installation that portrays a haunting,... Read more »

Away from the clamour of other, bigger, metropolitan art sites, Dundee is proving more than capable of holding its own. A thriving, close-knit scene of artis... Read more »

If any members of the DCA crowd were excitedly looking forward to another year’s feast of experimental music from the justly renowned Kill Your Timid N... Read more »

For the past decade the Generator’s annual graduate showcase, They Had Four Years, has firmly established itself as the platform for many a glittering ... Read more »

What is Dundee Live? An innovative, artist-led, public art and performance festival – the culmination of a year's activity by D-AiR (Dundee Artists i... Read more »

A spaced-out cosmic bliss suffuses much of the work at the Embassy’s new show. Channelling the spirits of Sienna Miller and the 21st century satirist M... Read more »

The word 'epic' was at one time used in the context of a film or poem, but these days it’s an adjective for anything, what the Urban Dictionary descr... Read more »

At the centre of George Henry Longly’s show Mass Damper, in the middle of a darkened gallery, a snake eats a mouse on an endless loop. The DVD is shot ... Read more »

Duncan of Jordanstone graduate Robin Thomson returned to Dundee recently for a two-week gallery residency at Generator Projects, putting together an epic and... Read more »

There’s a freestanding structure in the middle of the DCA’s main gallery. Rather crudely assembled from chipboard, each of its quadrants is a dif... Read more »

They Had Four Years, the annual exhibition of Duncan of Jordanstone graduates a year on from qualification, has by now established itself as a hardy perennia... Read more »

In the supplementary notes to Thomas Hirschhorn’s show It’s Burning Everywhere, there’s a telling quote from Dostoyevsky’s The Posses... Read more »

For any gallery-goer justifiably wary of safe, cutesy painting, the process behind Julian Oliver’s solo show Back Buffer reveals a welcome hyper-violen... Read more »

After last year’s sabbatical in the Greenmarket’s Vision building, the 2010 edition of Dundee’s degree show returns to its alma mater at th... Read more »

Puppets are violent things, as any British audience must surely be aware, having been raised on the slapstick of Punch and Judy and the domestic dramas of So... Read more »

Degree show time rolls round to Dundee once more, and the class of 2011 pitches up to offer the world its wares. With almost 300 students, 11 undergraduate p... Read more »