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The sophomore offering from Trust is a solo endeavour for lynchpin Robert Alfons, with Maya Postepski having left the Toronto project shortly after their deb... Read more »

Dope Body’s Lifer wears the fug of the band’s rehearsal room – the Baltimore four-piece barely left it while thrashing this record into sha... Read more »

Technically, releasing music these days is a bit of a doddle: fire it online and job’s a good 'un. But getting people to seek out and actually lis... Read more »

All told, it was a league apart from your typical, cynical reformation. When The Afghan Whigs amicably called it a day in 2001, their reasons (geography, fam... Read more »

Alt-J have knuckled down. Stripped of intros, interludes and all that posturing, this album feels – as its low-res computer graphical cover and robotic... Read more »

Billed as the sequel to Hazyville – which may inadvertently suggest that 2012's R.I.P., Darren Cunningham's most whole and open work to date, was, on t... Read more »

'It’s the means to a terrible end,' James Mercer sings about halfway through Name For You, the first track on the new album by The Shins – and he... Read more »

Sinkane's 2012 album Mars made a convincing case for Ahmed Gallab being the inheritor of Curtis Mayfield's crown. On Mean Love, his delicate falsetto, the br... Read more »

Slip on the second album from Cold Specks (aka Canada-born/UK-based singer-songwriter Al Spx), and it’s the voice that hooks you first. As opener A Bro... Read more »

Defiantly minimalist and daringly under-dramatised, Cartographer/Explorer is the second album from the magnetic pairing of Anna-Lynne Williams and Robert Gom... Read more »

Though they announced their reunion back in 2012, the release of Weem bookends a hiatus of almost seven years for Bellshill quintet De Rosa. Now a trio in th... Read more »

More layers than your average onion, frenetic drumbeats, looped to high heaven, reverb-heavy and driven by flickering guitar and synths: Snow is a blistering... Read more »

“Put your hand down boy, welcome to my zoo,” beckons Glass Animals frontman Dave Bayley on Toes, one of many ornate tracks in the Oxford quartet'... Read more »

Philadelphian producer King Britt returns to his science fiction-inspired Fhloston Paradigm project, which sees him switching from the soulful techno of his ... Read more »

Now a decade and a half into their career, the typically dependable Canadian rockers return with their first LP since 2012's Hello Hum. Produced by Tony... Read more »

There’s much to admire about Matthew Bourne – the good grace with which he takes being regularly confused with the ballet choreographer of the sa... Read more »

Back in 2012, Robert Christgau, self-proclaimed Dean of American rock critics, said Wussy “have been the best band in America since they released the f... Read more »

Sunderland’s own brotherly writing duo, Peter and David Brewis, have been at it again. Their first release since 2012’s Mercury Prize nominated P... Read more »

Minnesotan quintet Howler need to cut loose from their influences, or seek out new ones. The debts to The Jesus and Mary Chain's Psychocandy and The Strokes'... Read more »

From Mogwai to King Creosote to Edinburgh Leithers, Blueflint – producer Paul Savage is trading his cards for the increasingly niche. Yet this band did... Read more »

With The Walkmen currently on an “extreme hiatus,” frontman Hamilton Leithauser strikes out alone with solo debut Black Hours. Well, not entirely... Read more »

Even if this brand of finely tuned garage rock is not entirely groundbreaking, and the infectious vocal hooks on each track are largely some variation on c... Read more »

If 2012’s White Math EP wrong-footed those tuned into Benjamin John Power's evolving brand of cerebral electronica, they might want to check their... Read more »

Oh, this is a beauty. Don’t let it get lost in the bewildering murk of the release calendar, or side-lined by the fickle fancies of the taste-makers. S... Read more »

White Arrows’ sophomore album is the result of slowing down, having a think, and coming back fighting. After 2012 debut Dry Land Is Not a Myth, the ban... Read more »

Once looking like an heir apparent to Trent Reznor's seething world of industrial dystopia, Luis Vasquez sadly finds himself starting to tread water on his t... Read more »

The use of vintage drum machines and synths on the debut album by The Jaydes allies it with Andrew Weatherall's album as The Asphodells, and Daniel Avery's a... Read more »

There’s an uneasy cheeriness in the way Andrew Savage utters “I can’t breathe, I can’t breathe” towards the end of Instant Diss... Read more »

Third LP time for Kowloon Walled City, as the San Francisco post-hardcore types pull themselves out of the sludge to reveal something more intricate, yet no ... Read more »

Confession time. When Cold Pumas dropped their debut in 2012, this hack was thoroughly unimpressed. I said as much via a clumsy whine on a reputable reviews ... Read more »