Reviews

Upon entering the auditorium, the stage appears empty, except for a gong. With a resounding - almost ceremonial - ring of said gong, the overture begins. A b... Read more »

A sharp contrast to James Ley’s last Glasgay! entry –  an urgent yet funny look at one teacher’s nervous breakdown – Spain takes... Read more »

There has always been an uncompromising seriousness within Cryptic’s art. While they are now on the cusp of redefining their mission – having bee... Read more »

In Bette Cavette, the brilliant sell-out show of 2010, Grant Smeaton, theatre’s own Swiss Army Knife, did not rely on easy caricature or impe... Read more »

After the physical theatre nightmare of The Red Shoes, a fringe entry which translated the classic film into the daily experience of a ballet dancer’s ... Read more »

Levi Lee owns a travelling fun fair. He’s middle-aged, a recent widower and, to add to his distress, he’s in a perpetual fight with his teenager ... Read more »

Yarrr me Hearties! Hearken to the cheerful overture, unmistakeably Arthur Sullivan in disposition! Ye may ‘ave ‘eard it before in a Warner Brothe... Read more »