Scottish Theatre Highlights: April 2022
April is all about debuting and exploring new work, with premieres, new writing nights and work-in-progress festivals taking place across Scotland
Spring is in the air, and Scottish theatre and dance feel full of creative possibility this month. In Glasgow, head to Drygate for an unconventional night out – a seven-hour retrospective of polymathic artist Tracy Alexander Rigg, packed with costume, immersive performance, live music and DJ sets (The Self Assembled, 1 Apr). In the Southside, DIG (Dance International Glasgow) continues at Tramway. Check out the premiere of Will Dickie's White Sun (1-2 Apr), an electric appraisal of inheritance, privilege and addiction. You can watch Lovey and Boy: A Carnival Odyssey, a magical dance film celebrating Caribbean heritage and history, for free at the venue until the 3rd. Tramway are also hosting the premiere of The Hope River Girls on 23 April, a version of groupwork's multi-award-winning 2019 show The Afflicted reimagined for younger audiences – it'll go on to tour venues across Scotland until early May.
In Dundee, the Scottish Dance Theatre are hosting the world premiere of Ray at Dundee Rep (14-16 Apr). The brainchild of choreographer Meytal Blanaru, the piece will explore the idea of 'emergence'.
In Edinburgh, the Lyceum is hosting a new festival called Wonder, billed as a celebration of 'the creative process in all its forms.' Work-in-progress sharings include a live preview of KELI, a new audio drama by Lau member Martin Green (3 Apr), and a sneak peek of the stage adaptation of Ali Smith's novel How To Be Both (9 Apr). The Tandem Writing Collective are returning to Traverse on 2 April to host a night of new writing and live music. Yes, we know that on-screen theatre is so 2021 – but it'll still definitely be worth your while to check out Morna Young's Demon Island: Takeo's Tale (on demand on Traverse's website until 10 Apr). This interactive, part-game, part-show digital story, created by Young on a residency in Japan and inspired by a folktale called Momotaro, sounds more multilayered than most streamed theatre shows.