Self-Interrupted Exhibition

Ex-gymnast Iona Kewney’s new solo work Self-Interrupted Exhibition is unlike anything else you are likely to experience in this year's Fringe and what is initially shocking soon becomes disconcerting. Upon entering the space you are at once startled by the ear shatteringly loud electric guitar solo from Joe Quimby. Kewney crouches in a corner with a manic look in her eyes, suggesting merely a glimpse of the wildly energetic, animalistic quality of her subsequent feats. Kewney’s performance is simultaneously extraordinary and un-nerving. Her body displays an almost inhumane strength and flexibility as she emerges from the floor to throw and bend her body with contortionist-like agility and control. The movement appears to stem from Kewney’s ravenous exploration of her surrounding environment, rather than a preconceived structure. Everything she encounters becomes a prop; wall-paper, a cardboard box, an audience member, even pears from outside the studio, which she curiously chews up, then spits out - much to the disgust of many a wincing audience member. As the exhibition progresses, Kewney’s energy levels build and the spasticity of her movements become more frequent, yet less palatable. Both the amplified, unyielding music and Kewney’s near barbaric exertion crescendo so intensely it becomes near impossible to absorb. Nevertheless, her sheer physical presence and uninhibited drive that dominate the studio make for a uniquely compelling performance.