Film

Veteran filmmaker Michael Caton-Jones returns to filmmaking in Scotland for the first time since 1995's Rob Roy for Our Ladies, his long-in-the-making adaptation of Alan Warner’s The Sopranos Read more »

Daphne director Peter Mackie Burns returns with fine-grained drama Rialto, which follows a middle-aged Dublin dock worker going through a crisis. The Glaswegian director tells us how the likes of Chekhov, Mike Leigh and David Bowie influence his work Read more »

Not a year goes by without some blowhard predicting the death of cinema, but in 2020, the dominance of streaming platforms is becoming hard to ignore. Join us at GFF to discuss how we watch films in the age of streaming Read more »

Disorder director Alice Winocour tells how new film Proxima, which follows an astronaut juggling space training with raising her young daughter, is still very much an "earthy" movie Read more »

Hoping for a bright, shiny future with flying cars and labour-saving technology? Glasgow Film Festival's daily retrospective suggests some less upbeat possibilities for humanity Read more »

The Inbetweeners star Simon Bird introduces us to his debut feature film Days of the Bagnold Summer, a sweet comedy focused on the precarious relationship between a well-intentioned librarian mother and her metalhead teen son Read more »