Mr Malcolm's List
This riff on the regency romance can't quite replicate Jane Austen's rich characterisation, but nevertheless its fantastic cast makes Mr Malcolm's List undeniably satisfying
Suzanne Allain's popular self-published novel Mr Malcolm’s List owes a huge debt to Jane Austen. Those familiar with self-published fiction will recognise the boldness with which these books often wear their influences, where authors’ literary passion translates into them penning a story they themselves would love to read. Now it's adapted to film, it's a joy that's convincingly shared to a broader audience, as Mr Malcolm's List gets a great deal right about what makes Austen’s work likeable.
Employed in a scheme to embarrass the titular wealthy bachelor who dismisses potential suitresses if they don’t meet an inflexible list of qualifications, Selina (Freida Pinto) tries to play the game of courtship from a cool distance, egged on by her slighted childhood friend Julia (an amusingly vengeful Zawe Ashton). But the compassion she discovers in Mr Malcolm (Ṣọpẹ Dìrísù) inevitably gets in the way. It’s this conventional plotting that threatens to undermine the film, as writer Allain’s script often feels less modern spin, more faithful recreation.
The main difference between Mr Malcolm's List and its influences is the characterisation; Elizabeth Bennet and Anne Elliot’s inner worlds burn brighter in a society where emotions are smothered by haughty manners and snide witticisms. By contrast, Mr Malcolm’s List’s ensemble – despite being well-drawn – never shake a certain constructed quality. Everyone feels, to an extent, like they exist to fill an expected role. Still, it’s undeniably satisfying to watch a fantastic cast hitting all the right notes, fresh enough to keep you hooked on the regency romance.
Released 26 Aug by Vertigo; certificate PG