Kafka's Ape @ Summerhall
Phala Ookeditse's adaptation of a Franz Kafka short story, Kafka's Ape is anchored by a tremendously physical performance from Tony Miyambo
This profoundly observational adaptation of Franz Kafka's short story A Report to an Academy, originally published in Martin Buber’s journal Der Jude, poses questions about the meaning of freedom and what it takes to be part of the human race. To assimilate and learn to be human, Red Peter – an ape captured in Tanzania – gives up his animal nature. Peter sacrifices his natural instincts and behaviours, imitating human customs, most particularly those of his captors, who not only encage him but taunt him in ways that are nothing short of sadistic. In a desperate attempt to find not freedom, but 'a way out', Peter conforms.
Acculturation to the German minority of Prague was associated by Jews like Kafka’s father with upward mobility. In Kafka’s Ape, directed and adapted by South African Phala Ookeditse, the poignancy extends beyond acculturation to reference themes related to slavery, post-Apartheid South Africa and the rise of the far right.
Tony Miyambo’s performance is tremendously physical and quite exceptional. His study of ape movement, vocalisation and breathing greatly contribute to the details of his character’s portrayal. That said, I personally found the constant swaying a bit distracting at times, somewhat reminiscent of when beginner actors can’t stop oscillating.
I saw Kafka’s Monkey at the Young Vic in 2011, starring one of my favourite performers, Kathryn Hunter, which inevitably led me to make comparisons. Hunter’s interpretation of the character masterfully played with the suppression of ape qualities, creating an impossibly nuanced performance. In contrast, Miyambo’s portrayal allows these behaviours to be vented more freely, showcasing his remarkable ability to imitate apes. This difference in approach not only highlights their unique talents but also enriches the exploration of Kafka's work.
While the show’s aesthetics are a bit rough around the edges, its masterful text and virtuoso physicality more than compensate for any shortcomings.
Kafka's Ape, Summerhall (Demonstration Room), until 26 Aug, 10.40am, £17