Apolonija Susteric

Public art has developed something of a social conscience over the years. Art, architecture and design are now often integrated to regenerate urban landscapes. Apolonija Susteric’s work for the Jardins Publics project is one such example.

Working closely with architect Mieke Schalk and the residents of Chessel’s Court, Susteric has taken a relatively mundane, uninviting space and transformed it, adding elements which entice passers by to come and enjoy the site. A grassy square in the centre of the courtyard sits on top of a three foot high stone wall. The simple touch of installing a wooden staircase against this partition has transformed the inaccessible patch of lawn into a place for children to play and adults to sit out and enjoy.

Walking past this to the square patio you find that a once barren, concrete space is now filled with potted plants and herbs. The medley of plants such as winter jasmine, pineapple mint and strawberry create an alluring aroma. A table with benches at the heart of the space provides a place where locals can relax and make the most of the influx of foliage.

This work by Susteric is a wholly valuble project. However, while the concept is noble, the visual impact of the space is less than impressive. Utility seems to have encompassed any opportunity for striking aesthetic design.