The Dirty Dozen – October 2010

Joined by comedian <b>Josie Long</b>, Fence Collective stalwart, one half of Silver Columns and all-round good guy <b>Johnny Lynch</b> takes on October’s singles

Feature by Darren Carle | 29 Sep 2010

Mitchell Museum – Tiger Heartbeat (Electra French, 4 Oct)
Johnny: This makes me want to get my skateboard out.
Josie: Their press release is telling a really good story. You can’t help but want them to win.
Johnny: I quite like it. It’s maybe not something I would buy, but... (He hears the bridge). Ok, maybe I would.
Josie: I like it and I wish them every success. Thumbs up.

Engineers – In Praise of More (Kscope, 11 Oct)
Josie: I’m going to pretend in my head that this is a band formed from men who actually work as engineers, like a colliery band, and if that’s the case they’ve done very well.
Johnny: If it was on in an indie disco – which I wouldn’t frequent – but if I happened to be there against my will, I still wouldn’t dance. It’s fine though. Thumbs in the middle.

Southern Tenant Folk Union – Old Black Crow (Johnny Rock, 4 Oct)
Josie: They’re nominated for the Mercury.
Johnny: Really!?
Josie: Yes, it says here...Oh, “unofficially nominated for the Mercury”. We’re all unofficially nominated for the Mercury!
Johnny: At the beginning you’re thinking ‘ah, we’re in the Delta here’ and then... Cliff Richard! They’re a Scottish band, doing an American thing but actually sounding very English. Thumbs down?
Josie: I’d prefer not to give it thumbs. I’d give it fingers.

Admiral Fallow – Subbuteo (Lo-Five, 4 Oct)
Josie: I like how Scottish he sounds. I like it when people properly sing with their accents. The problem is the melody is reminding me of Babylon by David Gray. But, you know, David Gray’s in a film that Kathy Burke’s in. It’s alright.
Johnny: So that means this band are alright!?
Josie: There’s been lots of fun little twists and turns.
Johnny: Yeah, it’s quite a different record by the end. Thumbs up.

Kelis – Scream (Interscope, 4 Oct)
Josie: (20 seconds in) God I hope it has a good chorus, I’ll be so happy if it does.
Johnny: If it goes really Euro-disco in a minute I’ll be quite happy.
[It goes really Euro-disco]
Johnny: (arms aloft) Oh my!
Josie: You sir, are a prophet.
Johnny: I should make her records. Actually I don’t need to. She’s doing a great job. Thumbs up.

Carl Barât – Run With The Boys (Arcady, 4 Oct)
Johnny: It’s a night out in London’s fashionable Hackney. He’s with the boys. He’s running. (Pauses to listen to the song) Well, slow jogging.
Josie: If you’re middle class and you think ‘oh, I’m going to smoke crack’ then you’re a fucking cunt.
Johnny: Yeah, Carl’s career has been tainted somewhat by his association with Doherty. So I find it hard to listen to this. Please stop it.
Josie: Half-way through that song I remembered how much I like Pulp. Not that this is like Pulp, but I was thinking that everyone who wastes time listening to this could be listening to Different Class.

Dinosaur Pile-Up – Mona Lisa (Friends Vs Records, 27 Sep)
Johnny: Promising name. It’s a bit like Ash.
Josie: But Ash can write a catchier tune.
Johnny: I want to hear vomit! If this ends in vomit, I’m with it.
Josie: I forgot about that; the secret track on 1977!
Johnny: Basically, if there’s no vomit, it’s getting a thumbs down. They’ve got twenty seconds to puke something up... No, I can’t do it, it was actually alright. It made me think of Ash so I quite liked it. Thumbs in the middle.

Chapel Club – All The Eastern Girls (Loog Label, 11 Oct)
Johnny: It’s slightly too earnest for me. I’ve a feeling they’ve got better songs.
Josie: I agree. I listen to it and I wish it well but, yeah, the song itself isn’t that inspiring.
Johnny: (unconvincingly) Middle thumbs?

Ou Est Le Swimming Pool – The Key (Fire & Manoeuvre, 11 Oct)

Josie: I can see this being really popular.
Johnny: It’s reminding me a bit of the Mitchell Museum song. I like the keyboard bit – just like A-ha.
(Later) I kept waiting for the chorus but I’m quite glad there wasn’t one in the end. It could have made it too anthemic. So, thumbs in the middle.

The Bees – I Really Need Love (Polydor, 4 Oct)
Johnny: This sounds like busking a little bit. Maybe that’s quite a good thing; buskers only really sing really massive songs.
Josie: (clearly paying attention) Oh is this The Bees? I prefer this to their older stuff.
Johnny: It sounds really seventies. It’s a great song but if you were busking it people would think you were singing Rod Stewart. That’s a thumbs up overall, though.

Villagers – That Day (Domino, 4 Oct)
Johnny: The stuff I’ve heard from them before sounded very Conor Oberst-y. This one sounds a lot less like that. I’m not really getting from his voice what he’s trying to put over. I don’t really know what I’m meant to feel. Now I do feel it sounds like Conor Oberst, cos that’s exactly how I feel after listening to him.
Josie: At least Conor Oberst really hams it up. Needs more ham in this. Middle thumbs.

Badly Drawn Boy – Too Many Miracles (One Last Fruit, 4 Oct)
Johnny: I think his voice sounds more like it did on his earlier stuff.
Josie: There’s something so loveable about just hearing his voice, eh?
Johnny: I like how he can make such a simple melody, or almost a lack of melody sound melodic in a good way.
Josie: He’s gone back to what he really loves.
Johnny: I really enjoyed that. It’s made me want to listen to his album. Thumbs up and Single of the Month. Carl Barât definitely lost.

 

Silver Columns play Fence Records Hallowe'en Party at Stereo, Glasgow on 31 Oct

http://silvercolumns.com