Withered Hand – New Gods
With a title that near-anagrams its 2009 precursor Good News, New Gods sees Withered Hand (aka Edinburgh-based songwriter Dan Willson) gently shuffle aspects of his sound around, producing an album that’s distinct from yet recognisably connected to what came before. Production choices inspire the most noticeable alterations, with markedly more polish and a plethora of radio-friendly touches imparted by time in a “proper studio” with producer Tony Doogan.
It’s a shift that provokes mixed feelings. On opener Horseshoe, amongst others, it helps the material soar, urging you to sing along with the lyrical sucker punches. But elsewhere the shininess risks diminishing Willson’s individualism, threatening to draw attention away from the subtlety, intimacy and endearing awkwardness that typically flavours his songwriting. But that’s a minor complaint: throughout, New Gods affirms Willson’s superlative abilities, with highlights ranging from the airport insecurities of Love Over Desire to the communal courage expressed in closer Not Alone. [Chris Buckle]