Pebbles on the Beach
Life’s a beach. Well, sometimes; although it depends on how you feel about beaches. There are times when all is sunny and serene, then the next moment you’ve got sand...
Life’s a beach. Well, sometimes; although it depends on how you feel about beaches. There are times when all is sunny and serene, then the next moment you’ve got sand...

The clash of old and new is sensitively negotiated as images of a young Indian girl's amorous liaison are distributed via text message

Confronted with eight characters, the audience must chose to hear four of them offer their incisive monologues upon modern British life

The last, dying yak becomes an object of worship in this compelling production

Signs that Lynn Ferguson’s The Plan will be a treat abound as the audience enters the theatre. Viewers who arrive questioning how much enjoyment can be had from a play...
Using music and drama, The Pittsburgh Music Ensemble enter the underworld of Greek mythology

Preposterous and ill-conceived, The Straight Man kills off its only decent character

This strange, innovative black comedy succeeds in maintaining a compelling story while showcasing some wholly original theatrical tricks

Taking the exact words from black box recordings of air crashes, Charlie Victor Romeo makes for harrowing theatre
Spectacular and graceful, Lost in the Wind's physical theatre is sophisticated and amusing
A clown, battered and bruised across the whole of the twentieth century, finally breaks his silence
While perhaps not out of this world Leonard 'Spock' Nimoy's play delves into some of the interesting aspects of van Gogh's life

There are few plays which deliver laughter as well as this one, and few with as much heart or brains

Tom Dale’s meditation on modern existence proves to be a compelling spectacle...
A mishmash of postmodernist ideas which might even interest some people

Hilarity gives way to a darker world in SUDS' exploration of torture
A brief encounter at 21:13 provokes an examination about love across language barriers

This is, predictably, great theatre, but is perhaps bigger than the Fringe can really accommodate

“Punk is dead, they buried the corpse under the Eleanor Cross,” spills Greenstick Boy’s ebullient heroine as her reminiscences drift towards the sobering era of Thatcher’s Britain. It is one...

Showing in the intimate Pleasance Courtyard Two, and performed by just two actors on a set best described as economical, the most striking thing about Claire MacDonald's new play, Correspondence,...