Meursault - All Creatures Will Make Merry
Meursault - All Creatures Will Make Merry

Album Review

Album title
All Creatures Will Make Merry
Artist
Meursaul
Label
Song, By Toad
Release date
25 May

More info

Meursault play Mono, Glasgow on 19 May and This is Music at Sneaky Pete's, Edinburgh on 21 May.

http://www.myspace.com/meursaulta701
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Meursault - All Creatures Will Make Merry

3/5 stars
Album review by Billy Hamilton.
Published 04 May 2010

Meursault’s brilliant debut Pissing on Bonfires/Kissing With Tongues surprised us all by striding into the spotlight in 2008. Inevitably, follow-up LP All Creatures Will Make Merry finds the Auld Reekie outfit staring down the threat of expectation.

The opening salvo of Payday and Crank Resolutions’ sets off promisingly, building on a whirl of keys which accelerates alongside Neil Pennycook’s shivering cries. But from here the record wallows in folky toils – like Weather and One Day This’ll All Be Fields – that, although charming in tone, lack the atmospheric glow of their live outings – a glitch which owes a lot to the album’s frustratingly hazy production.

Despite the lulls, the band still pull off some significant moments; string-driven closer A Fair Exchange is an opulent weep, while New Ruin’s hypnotic percussion and gnarling effects ranks close to a career high. Not quite the predicted leap forward then, All Creatures... feels more of a restrained step sideways. [Billy Hamilton]

 

Comments (22)

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  • Take that dick out your ear and listen properly. Five stars!

    Posted by LadyMuck | Thursday May 2010 @ 13:54

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  • Nah, he's right on the money.

    Posted by Robbie Nichol | Thursday May 2010 @ 20:21

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  • No way has Billy listened to this properly. "Folky Toils"? Weather is a brilliant brilliant song! In my opinion Mr Hamilton is just trying to stir up contoversy.

    Posted by W.H Millar | Friday May 2010 @ 13:46

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  • That's quite a wild and horrible assumption to make sir, might I suggest you stick it back up your cynical arse.

    Posted by WH Smith | Friday May 2010 @ 15:32

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  • "That's quite a wild and horrible assumption to make"......I'm afraid in the music industry the words wild, horrible AND cynical are very apt. You obviously did not hear about the whole Broken Records review Mr H did.

    Posted by W.H Millar | Saturday May 2010 @ 10:25

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  • Thank you Billy for calling it as you hear it. Its all getting a bit dreary and frightfully middle class with a lot of the same old tired dross endlessly churned out. If i wanted to listen to del amitri or deacon blue then i would. Whats the point in listening to a rehashed version of these bands? Emperors new clothes syndrome.

    Posted by T.Barte | Saturday May 2010 @ 11:00

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  • Thanks for that insight T.Barte. you clearly haven't listed to the album because its about as like del Amitri or deacon blue as David Cameron is like Che Guevara. you speak out of your arse often?

    Posted by LadyMuck | Saturday May 2010 @ 16:33

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  • having listened to the album a few times now i can't argue with this review. the production is far short of what you'd expect, maybe they could have done with some of the broken records treatment! just sayin.

    Posted by chris | Saturday May 2010 @ 17:29

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  • Ladymuck im glad you felt moved to reply to my comment. I have listened to it, agree with the review and stand by my statement. This album does sound like the bands i mentioned, deal with it Ladymuck. I saw a few mock ups of that tory wanker as che guevara, did you assist in their campaign? This album is not only the perfect soundtrack for a tory promo video, but its also bland, emotionally numb and very m.o.r. Just like your reply Ladymuck.

    Posted by T.Barte | Sunday May 2010 @ 23:45

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  • T.Barte: "frightfully middle class" Having known the band for ten years or so, I can tell you they are far from middle class. Christ one of their dads runs his own scaffolding company which he helps out with in between tours. Is that working class enough? Oh I know, one of them goes to the bookies now and then. How's that for real grit? They smoke too......As for the Del Amitri thing, when was the last time they used loops and samples? I think a local band like this should be encouraged and supported. They've brought a lot of attention to the city and it's other bands. I'd rather have bands like Meursault around rather than the faux working class posturings of all these View-sound-a-likes that clogg up the city at the moment. The whole middle class thing. Is it just because they're named after a character in a book? Is it? Bet it is. How silly of you.

    Posted by W.H Millar | Monday May 2010 @ 16:47

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  • What exactly is your definition of 'working class" music anyway T Barte? Hip hop pastiches? Banging techno? Nu Metal? Enlighten us.

    As for my political leanings, my Grandad spent much of his life from age 14 howking coal out of the ground in Fife, now do you really think I voted for Cameron? (not that anyone in Scotland seems to have thank Christ). Chippy little sod aren't you - any reason for your class angst apart from perhaps a flirtation with the Common People that will last as long as your degree course?

    Posted by LadyMuck | Monday May 2010 @ 20:54

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  • This is a pretty patchy recording of what could have been a fine album. Let's all drop the class hero falsities and move on, shall we?

    Posted by Right | Monday May 2010 @ 22:27

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  • Big deal. Your mates with them. What else are you going to write? How about looking at it from an outsiders point of view. Read my initial post again and then have a look back over the drivel you have both written as a response. So his Dad runs a scaffolding company. Good on him. It does not mean his son is incapable of making music for tories. Del Amitri were using loops and samples before this band even formed! At least do a little research before you post more nonsense. I do not care what or who they are named after, whats that got do with it? Am i also supposed to go into some anti-uni/'faux' proud defense of whatever my roots maybe rant just to please you? You really are both exceptionally deluded. I do not give a toss what your Grandad did but im heartened your moved enough to tell me. This is a dreary, bland album that typifies the middle class dullness which inhabits this particular genre of indie. It's beige, it's magnolia, it's careful now don't make too much noise. It's for people who go to gigs and complain that its too loud. Where's the passion? Where's the fire? Where's the substance? Its not there. I also know there is much more to the bands of the city than this and (agreement!)the view-type of bands. Yes I have seen a lot of crap bands but I have also seen a lot of great bands over the years, so why should any of us support a band just because they are doing well if we don't like the music? Are we all supposed follow blindly because someone tells us something is good even though we know in our hearts that we disagree? Having friends who gamble you really should both take their advice on knowing when to place a bet and when to take a hit on your losses.
    Tiny is as tiny does.

    Posted by T.Barte | Monday May 2010 @ 23:17

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  • Chill y'all simmer down for real y'hear me now?

    Posted by Kofi Annan | Tuesday May 2010 @ 00:28

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  • Not to argue with T. Barte who is welcome to his or her opinion, but I've heard plenty of people of all classes listen to boring music. Anyhow, he or she clearly knows next to nothing about the band, so it really doesn't matter. Passion? Haha - excellent!

    Just to clarify one small point about the production, though: calling it badly recorded just isn't accurate. It may not be to your particular taste and I am not trying to persuade people to like things they don't enjoy, but it was entirely deliberate and a lot of craft went into achieving a sound which the band were aiming for very specifically.

    Of course, if you don't like it then you don't like it, but 'patchy' implies incompetence, whereas it's more a case of the band working to an aesthetic which isn't to your taste, which is a bit different in my view.

    Posted by Matthew | Tuesday May 2010 @ 01:18

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  • "it's careful now don't make too much noise. It's for people who go to gigs and complain that its too loud." Barte Mate you obviously haven't been to see Meursault live, or for that matter actually listened to this album. 'Song For Martin Kippernberger"? Whats fucking quiet about that? Whatever they're doing they must be doing something right to divide opinion so wildly. I see Billy's point sort of, but I think it's a step forward not sideways. And Barte, no-one says you should support them, you obviously don't like them (or people in general) but I think the guy was meaning more the press to be behind them. Anyway fuck it, they're playing Glastonbury this year, so it's obvious this review doesn't mean anything.

    Posted by Great Scott! | Tuesday May 2010 @ 03:25

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  • I think T.Barte must be a smelly old sex pistols fan. Yep that must be it.

    Posted by W.H Millar | Tuesday May 2010 @ 03:32

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  • "Anyway fuck it, they're playing Glastonbury this year, so it's obvious this review doesn't mean anything."

    Yes, but so is Vanilla Ice.

    Posted by Matthew | Tuesday May 2010 @ 09:27

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  • To be fair, the Meursault live show really shouldn't be in dispute here, just a damn shame it didn't translate well in the studio. Was it a studio?

    Posted by Jim fae Paisley | Tuesday May 2010 @ 11:46

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  • It's translated perfectly in the studio - it sounds exactly as the band want it to sound.

    Posted by Matthew | Tuesday May 2010 @ 15:41

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  • This post is terrifying and pretty rediculous. It's just a review. People are entitled to their own opinion. It's not personal.

    It was recorded using their own equipment by them.

    Posted by Climate | Tuesday May 2010 @ 18:07

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  • Yesss. Vanilla Ice is playing Glasto. See his albums got fucking slated yet he's still playing Glasto so reviews don't mean anything.

    Posted by Great Scott! | Wednesday May 2010 @ 23:38

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