Rob Zombie / Marilyn Manson @ SECC, 28 November

Live Review by Illya Kuryakin | 06 Dec 2012

The spooky kids adore Marilyn Manson they mouth the words to every song as the God of Fuck goes through several costume changes and stage sets. Disappointingly, Manson fails to deliver on the promise of a 'greatest hits' package rather, he performs a self-indulgent set culled from his weaker albums. So in place of Fight Song, we get a turgid mOBSCENE; instead of The Nobodies, he trudges half-heartedly through The Dope Show.

The fact that the set's highlights are aging covers Sweet Dreams and Personal Jesus is telling. Also significant is the imagery he employs a two-armed cross rather than an inverted crucifix; flouncily tearing pages from a bible; and the clulmination his old set of cod-Nazi banners, a Hitler-like portrait as backdrop, and a podium. Manson continues to flirt with extreme imagery to mask his increasingly dull music.

In contrast, Rob Zombie delivers all killer and no filler. His stage set staggered walls of carnivalesque video screens, microphone stands made of bones is colonised by a succession of vast, weird creations, from giant 1950s robots to a twenty-foot devil; drones and contraptions with visual nods to industrial SF classic Hardware; and a pumpkin-headed ghost.

There is barely time to breathe between the hits, as Zombie opens with Jesus Frankenstein, and barrels through utter classics from his comic-book industrial ouevre, including Sick Bubblegum; a juddering, anthemic Living Dead Girl; and a stomping Mars Needs Women, all culminating in a thrilling encore of Dragula. Zombie's palette of influences is at once more interesting and heartfelt than Manson's shots of Sherri Moon-Zombie are intercut with splatter-filled cartoons, segments from The Lair of the White Wyrm, and classic MGM monster flicks. His conviction and humour sustain two cheese-fest 'rawk' covers (Enter Sandman and School's Out). The commitment Zombie shows to giving the fans what they want marks him as the clear winner of this much-hyped bout. [Illya Kuryakin]

 

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