Bros

An inclusive cast doesn't change the fact that Bros is just another Hollywood product designed to sell as many tickets as possible – and Billy Eichner's attempts to subvert expectations make that all the more grating

Film Review by Ellie Robertson | 28 Oct 2022
  • Bros
Film title: Bros
Director: Nicholas Stoller
Starring: Billy Eichner, Luke Macfarlane
Release date: 28 Nov
Certificate: 15

“Straight people, especially in certain parts of the country, just didn’t show up for Bros,” was Billy Eichner's excuse for the underperformance of the North American release of his feel-good, LGBTQ+ inclusive romcom. A strange contradiction given the film opens with his character, Bobby Leiber – an emotionally closed-off podcast host – recalling a disastrous film pitch where he became indignant at Hollywood's demands for a gay romance movie that “even straight people could enjoy”. Bobby insists “our stories are not your stories”, before embarking on a love story so cliché it makes Love, Simon look like The Rocky Horror Picture Show.

The protagonist’s run-of-the-mill feistiness proves the movie's undoing. What could have been an expressionless but occasionally chuckle-able flick is now smugly trashing “Hallheart specials” as kitsch while simultaneously using some of their most eye-rolling tropes. Independent Bobby becomes entangled in his first long-term relationship with Aaron Shepherd (played by Luke Macfarlane, a former Hallmark star), a clean-cut, no-fuss hunk, whose dating history so far has consisted of gym bros more meat-headed than he is. Bobby projects his own insecurities onto the relationship (because his supposed peace with singlehood at the beginning of the film was, of course, the stereotypical rom-com delusion), convinced he's not roided-out enough for Aaron. (Note: by real-life mortal standards, Billy Eichner is actually ripped.)

Whilst the majority of the cast are members of the LGBTQ+ community, providing an applaudable amount of visibility, these extras just become scene dressing for a hardly groundbreaking love story. Even the endearingly explicit sex scenes only ever feature white, muscular models. Dressing up the next twee romcom as a landmark not only discredits queer cinema, but robs what might be an otherwise charming picture of any heat, humour, or heart.


Bros is in cinemas now via Universal