subtractiveLAD - Where the Land Meets the Sky

3/5 stars
Album review by Stephen Toman.
Published 27 March 2009

Notes are held on keyboards for infinity, synths bubble underneath and layers upon layers of sound are delicately textured throughout each track. Occasionally a stuttering and intricate drum pattern or a cavernous meandering riff enters, creating incredibly intrusive ambient music amid the otherwise gentle atmosphere crafted by one-man orchestra Stephen Hummel, on his fifth record in as many years as subtractiveLAD. It perhaps requires too much patience for a properly attentive listen, but after a few spins as a bit of background noise brief moments of brilliance begin to filter through: classical, world and jazz influences becoming more apparent, like the second side of a decent Krautrock record.

The initial similarity to tranquilly turgid New Age music may a few people off - the odd whale noise or rainforest sound and you may think you're buying incense and crystals from a cute girl with dreadlocks and a nose stud – but this is much more than simply massage music. It just may not be obvious at first.

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