The Raid
Unlikely pairings can be perfect. Indonesian film The Raid centres around a police bust in a large tower block filled with criminals, guns, and machetes; unlikely fare from a Welsh...

Unlikely pairings can be perfect. Indonesian film The Raid centres around a police bust in a large tower block filled with criminals, guns, and machetes; unlikely fare from a Welsh...

Through a haze of marijuana smoke we’re introduced to Jason Segel’s Jeff, a 30-year-old galumph who makes the actor’s earlier man-child characters from Knocked Up and I Love You, Man...

Legendary orator and pillar of the church Ambrosio (Vincent Cassel) has his devotion to God thrown into question by the arrival of Valerio (Déborah François), a young woman masquarading as...

Non-professional actor Thomas Schubert excells as Roman Kogler, a sullen youth in a juvenile detention centre who must succeed in his new day-release job as an undertaker in order to...

Chilean directing talent Cristián Jiménez's second feature film is one for the bookish. Bonsai's protagonist Julio (Diego Noguera) is more of a leader-on than a leading man, using his cultural...

In 2009, Iranian director Jafar Panahi was arrested for supporting anti-Ahmadinejad protests; in 2010, he was arrested a second time, sentenced to six years imprisonment, and banned from making films...

Treading the line between gritty social realism and slick gangster action, Wild Bill brings drugs, guns and family drama to Stratford, London. This directorial debut from actor Dexter Fletcher follows...

All you really need to know about the Dardenne brothers' new film is that it concerns a kid and his bike. Watching the work of this extraordinary filmmaking team with...

Once Upon a Time in Anatolia is a film of two halves, and regrettably, one half is so much richer than the other, which leaves Nuri Bilge Ceylan's latest picture...

A refreshingly unsentimental account of a teenager dealing with terminal cancer, Death of a Superhero sees Donald (Thomas Brodie-Sangster, in an excellent turn) retreat into a dark comic-book fantasy as...

Weimarvellous attempts to recall the heady decadence of 1920s Berlin through a programme of burlesque, readings and cabaret karoake. The Blue Angel, which is opening the event, launched Dietrich's career and reflects the carnivalesque...

It’s obvious Omar Killed Me is based on fact; no fictional equivalent would make its central injustice so glaring. The film presents the murder conviction of Moroccan gardener Omar Rassad...

Bel Ami, based on a Guy de Maupassant novel, marks the feature debut of directors Declan Donnellan and Nick Ormerod. The quality of the sets, costumes and cast belies the...

Bustillo and Maury’s follow-up to their delightfully twisted Inside sticks to a similar recipe of awkward laughs and chills, but with less inspired results. Lucie (Chloe Coulloud) is on the...

Inspired emotionally by his anger over the Iraq war, and stylistically by Joanna Kane’s photography exhibition of the same name, Richard Jobson’s The Somnambulists is a sparse, polemical work. In...

Werner Herzog's latest enquiry into human nature takes him to Texas, where he explores the fallout from a decade-old murder. Into the Abyss is built around interviews with various people...

Chinese Take-Away might well boast the oddest opening of the festival: on a serenely beautiful lake, an attempted proposal is interrupted by a cow falling from the sky and landing...

Avoid basements – that’s what cinema has taught us. It is the room of the house reserved for horror, and that’s its function in Michael, Markus Schleinzer’s formally masterful directorial...

Rob Heydon’s adaptation of The Undefeated, one of three novellas in Ecstasy: Three Tales of Chemical Romance, clearly has affection for the source material and the cinematic subgenre it reflects,...

Crossing the Line, the new strand at this year's festival, brings experimental and avant-garde films to the Glasgow, exploring the crossover between cinema and visual art. Finnisterrae is, in many...