Music | Feature
Mark Shukla: If NASA ever decide to repeat their grandiose publicity stunt of 1977, which saw them launch the famous Voyager Gold Discs into the depths of space, o...
Records | Album Review
Euan Ferguson: Another week, another 80s-indebted British female solo singer? Keep reading – this one’s different. She doesn’t look like she was as...
Mark Shukla: If 1998's Music has the Right to Children was the record that opened up modern electronic music to whole new vistas of possibility – both in ter...
Mark Shukla: Alright, I admit it, when The Campfire Headphase dropped in 2005 I was one of the fans who was up in arms about BoC's new sound. Where were the beats?...
Bram Gieben: Chris Clark and Tim Exile are two of the more recent electronic signings to Warp – Clark is the longer veteran, starting with his LP Clarence Pa...
Bram Gieben: There are very few artists in the dance music scene who genuinely need no introduction – but Nightmares on Wax is definitely one of those artist...
Bram Gieben: Hudson Mohawke’s youth belies the fact that he has had a long and varied history as a producer and DJ. Starting out in Glasgow with gigs for Sub...
Bram Gieben: As Warp enters its third decade, it is increasingly difficult to imagine what the musical landscape of the UK would look like without the label and it...
Bram Gieben: Boards of Canada – Music Has the Right to Children Filtered vocal loops and found sounds echo hypnotically over dubbed-out electronic soundscap...
Clubs | Feature
Rosie Davies: When record label/art collective/party-makers LuckyMe found themselves trying to put on a club night in a bar with no licence, they went back to the s...
Jay Shukla: Talking about music is like dancing about architecture, or so said former comedian Steve Martin. How then, does one converse about the music of Autech...
