Clubs
Robin Walls: A night conceived with a loose concept to unite ages and styles to party, eventually finding a scrubby enough home in the motherly curves of the Attic...
Music
Ryan Drever: The Final Fling marks the end of the year's Homecoming festivities, showcasing some of the finest musical talent the country has to offer. Stalwarts s...
Music | Books | Live Review
Ally Brown: One of the first rules of writing, in any sector, is to write about what you know; so one great challenge all novelists face is to create characters a...
Theatre | Feature
Gareth K Vile: My selections in the second week of Arches Live! confirmed by impression that this was a festival that offered marvellous opportunities for young comp...
Theatre
Agata Maslowska : Have you ever wondered about the connection between art, reality and illusion? Imagine being created by an unknown artist who gives you the draft scri...
Susannah Radford: Image is everything. Surprisingly, or not, this maxim holds true just as much for the 19th century as it does for today. Vanity Fair presents a gall...
Katie Smyth : Clambering past fellow audience members and nearly falling into one's neighbour's pint may not seem like the most comfortable theatre-going experience...
Gareth K Vile: The Arches' commitment to emerging theatre is clearly expressed through The Brick Awards: two outstanding performances from the Edinburgh Fringe trans...
Gareth K Vile: When Goat Island last appeared at Tramway, their distinctive almost-dance and drama was put at the service of an ill-considered intellectual hotchpotc...
Gareth K Vile: In this double bill, Vincent Dance Theatre presents radically different approaches: Look At Me, Mummy barely references traditional choreography, whil...
Philippa Cochrane: There has been a lot of press coverage about this restaging of Peter Shaffer's unsettling play, mostly centred around the actors who have taken on the...
Susannah Radford: From the moment Bryony Lavery's winsome prologue surprises us, we are thrust into a night of deception, mistaken identities and the pursuit of sex, lo...
Colin Chapman: Continuing its fledgling Sub Club residency, February's Numbers sees Parisien DJ/producer Feadz of Edbanger/BPitch fame and Berlin-duo Smith N Hack jo...
Philippa Cochrane: This production of the classic fairytale ballet by Scottish Ballet offers a useful guide to any fairytale girl on how to bag herself her very own Prin...
Theatre 
