Art | Review
Ben Robinson: On entering Alex Frost’s solo show at the DCA, the visitor is met with a mural covering the whole of one wall displaying the WiFi logo rendered ...
Theatre | Art | Review
Ben Robinson: If any members of the DCA crowd were excitedly looking forward to another year’s feast of experimental music from the justly renowned Kill Your ...
Ben Robinson: The Generator’s show Dromos takes as its lofty aim the creation of “a New Babylon of discovery” unconstrained by the rigid white cub...
Rebecca Gilbert: The open spaces of the Fruitmarket Gallery afford a pleasant luxury, the freedom to explore and to wander from one piece of art to the next within the...
Ben Robinson: For any gallery-goer justifiably wary of safe, cutesy painting, the process behind Julian Oliver’s solo show Back Buffer reveals a welcome hyper...
Ben Robinson: The Cooper Gallery’s new group show Public Image takes as its theme the ambiguous relationship between ‘us’ and images. Even the gre...
Adeline Amar: Perfectly offset by Sierra Metro’s dark room and white pillars, Banks’ new installation work is centrepieced with a heap of various domest...
Adeline Amar: An artist who has described her own work as “in no way supposed to look like a landscape”, Black was faced with a challenge in the form of...
Ben Bennett: Admittedly some people love them, but this writer finds nothing more tedious than a room full of photographs. So it was with some trepidation that I s...
Ben Bennett: Forget Damien Hirst, Tracey Emin and the rest of the middle-aged ‘Young British Artists’. If you want to know what the rising stars of the...
Rebecca Gilbert: Stepping into the gallery space at the Collective is much more like setting foot into an extremely contemporary living room than the white cube, empty...
Ben Robinson: Following the success of his commission for the 2009 Venice Bienale, Martin Boyce’s lyrical installation No Reflections arrives in the comparati...
Amy Birchard: Standing, for what seems like an eternity, before the static quietude of Lloyd’s video stills of classical sculpture, there occurs a dawnin...
Amy Birchard: Cantor’s show rises to the occasion of the Common Guild. The viewer is confronted by a catalogue of interconnected fragments of an enigmatic nar...
Amy Birchard: As anyone who had the misfortune of watching Final Destination 3D will tell you, the Car Wash can be a pretty treacherous place. I’m reminded of...
