Maths & English is packed with uncompromising tracks like Pussyole and Sirens that take the template of hip-hop and make it heavier, dirtier, louder
Considering the fact that he stepped on the scene when he was barely old enough to attend his own shows, Dizzee's progression as an artist has been astonishing. Maths & English is packed with uncompromising tracks like Pussyole and Sirens that take the template of hip-hop and make it heavier, dirtier, louder. These two tracks are particular highlights, Pussyole managing to bridge old-school hip-hop and nu-rave sensibilities perfectly, while Sirens offers a heavy rock riff and a cymbal-heavy beat and a lyric that showcases Dizzee's talents as a storyteller. The more familiar grime tracks (Paranoid, Flex) are restrained in terms of production, avoiding the aggressive bass stabs and 2-step rhythms of former protégé Wiley in favour of a more pop-influenced sound that sounds not unlike Basement Jaxx, or early speed garage. The end of the album peters off limply – Hardback is one industry manifesto too many, while Lily Allen's vocal contribution on Wanna Be (using a lyrical motif from Bugsy Malone) is a poor man's I Luv U. The diversity of influences on display is encouraging, but a little more focus could have made this album more than the sum of its parts. [Omar Kudos]
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