Alex Frost @ Sorcha Dallas
The first gallery is sparse, containing only two works: a wall-hung ceramic mosaic of a cereal that claims to lower cholesterol, and, on a column in the centre of the...

The first gallery is sparse, containing only two works: a wall-hung ceramic mosaic of a cereal that claims to lower cholesterol, and, on a column in the centre of the...

A key motif in the stylised landscapes of Gregor Laird’s Plastic Pastorals, the Edinburgh artist/designer/DJ’s offering to this year's Glasgay!, is that of mediation between apparently opposing forces. This motif...

The transparency of the Scottish oil industry is tested by Austrian artist Ernst Logar

Lila de Magalhaes' offering to Collective's New Work Scotland Programme makes for a strong, moving and deeply humorous start to the now greatly anticipated annual exhibiting programme. For me, laughs...

Concealed behind closed doors, down a discreet corridor to the left of the main gallery entrance, this year’s Research show at the Royal Scottish Academy was, from its modest outset,...

Of the hundreds of artists that step out of its doors each summer, Glasgow School of Art chooses to bring a couple back every now and again and showcase their...

A series of framed drawings runs across the two rooms of Sorcha Dallas gallery. In the first, a magazine page ground into gravel by a passing tyre, the words “I...

Everybody likes a little emotional manipulation. We pay for drugs, roller coasters and horror movies because they make us feel something, whether it be good, invincible or scared shitless. This...

Heim’s first solo exhibition in the UK questions the role of nature within the urban environment. The main wall of the gallery is interjected with earthenware bowls mounted at varying...

Walking into Andrew Grassie’s first Scottish solo show feels a little like jumping head first into a masterclass for procrastinating postmodernist brainstormers. Described as elliptical orbits, the disorientating shunt of...

The Edinburgh Sculpture Workshop presents its annual show this August, ‘Magazine 08’, curated for the first time by two of Spain’s most prominent curators, Javier Marroquí and David Arlandis. I...

For the next 30 days, climbing the stairs to the GRV’s Studio Two takes you right into the liminal spaces at the edge of humanity – or so the kids...

Make sure you capitalise on this opportunity to immerse yourself in Edinburgh’s largest creative melting pot

It hits upon entering the space, the vinyl spoiler immediately forcing you to read the work in a very particular way. Which is a shame as the work presented here...

Skaer's largest solo show to date, and also her most convincing, this exhibition suggests the Glasgow-based artist's creative muse is moving into full blossom, the aesthetic rigour of her investigations...

Cornelia Parker’s exhibition in the Ingleby Gallery forms part of the ambitious year-long programme of one-week exhibitions in celebration of the gallery’s tenth birthday. The stellar cast of the programme...

Canadian ‘photoconceptualist’ Rodney Graham can’t, in his own words, “paint his way out of a paper bag”. He has, however, forged a successful career out of fusing such disparate artistic...

The artist-run initiative A.Vermin has set up camp in The State, a dingy, wood-panelled drinking establishment. The show, entitled A Stranger Home and curated by Alhena Katsof, invites six artists...

An Exhibition in Waiting at Glasgow’s Tramway is what will comprise Rachel Mimiec’s newest exhibition, Looking Out, Looking In. This temporary collection is the product of a two-year residency in...

The tone of this exhibition is both meaty and rousing, drawing in visitors with a catchy simplicity reinforced by the use of primary red and blue emulsion paint as a...