Manfred Pernice @ DCA
There’s a freestanding structure in the middle of the DCA’s main gallery. Rather crudely assembled from chipboard, each of its quadrants is a different colour. Entitled Tutti, it’s decorated with...

There’s a freestanding structure in the middle of the DCA’s main gallery. Rather crudely assembled from chipboard, each of its quadrants is a different colour. Entitled Tutti, it’s decorated with...

Not often will you find a gallery deviating quite so boldly from the traditional group show format. With the Craig Mulholland-curated exhibition Strange Loops at Generator Projects, most aspects remain...

Now in its third year, RSA New Contemporaries brings Scotland’s latest art graduates to the attention of the gallery-going public. Evolving from their annual student show, this exhibition of almost...

Imagine you were to inhabit the pictorial space of a black and white glaze of the 1950s pottery range Homemaker. If so, you’ll have some notion of what to expect...

The five artists that make up the collective Satellite visit the remote plains of Daer reservoir in South Lanarkshire. A small gallery in out-of-the-way East Kilbride Arts Centre hosts the...

After hosting artists from Ironbbratz studios for its first few shows, Studio 41 sets out to re-invigorate Glasgow’s curating scene. Will Nothing Be Understood By the Totems of Today? unites...

John Cage is primarily known for his work as an avant-garde pioneer of experimental music, perhaps his most notorious composition being his 1952 ‘silent’ piece, 4’33”. However, during the 1980s...

Sue Tompkins' work seems made for the space. It sits silent and thinking in the domestic cathedral heart of the Botanical Gardens that is Inverleith House. Indeed, her text-based performances,...

Exhibitions that display a seminal artist alongside the works they have since inspired always make for interesting fare, and with an artist as revolutionary as Anni Albers this inspiration is...

The gallery space has always implicitly challenged the meaning of true communal property. Alex Gross and Anna Mields’ film, Farbenlehre, at The Collective explores this idea explicitly. Shots pan over...

Bustamante’s first exhibition in Scotland marries two strands of his career – his works of photography and sculpture from 1978-97 and his sculptures and paintings from 2008-10. The result of...

Before viewing Craig Murray-Orr’s solo show at the Ingleby gallery, there is a fact everyone must know: Murray-Orr was born in New Zeland, but has spent two thirds of his...

There were a few who thought the CCA a lost cause. A series of obscure shows that persistently fell short of what Glasgow’s foremost contemporary art institution should be offering...

Not content with just one exhibition of great German art in Edinburgh – that of Rosmarie Trockel at the Talbot Rice Gallery – The Dean Gallery presents us a second....

Talbot Rice Gallery eschews Rosemarie Trockel's multi-faceted work in film, sculpture and painting and begins with a meticulous survey of her considerable use of drawing, collage and book drafts. This...

‘Eclectic’ is an apt description of SALONVERT at the Embassy. Like all members shows, it offers an array of medium and messages. Oil paintings, drawings, textiles, prints, sculptures and video...

Hannah James’s work functions beneath a guise of opacity. Her oeuvre consists of deliberately bad camera angles and hazy images. The past year of her practice has, however, seen screens...

Installing a contemporary art exhibition that self-professedly aims to “rediscover highland art” is certainly a risky strategy. After all, when so much of the Scottish cultural legacy has been concerned...

John Goto’s exhibition at the Edinburgh Printmakers may be small but it certainly evokes an intense response from the viewer. His collection of Mosaics, inspired by the Israeli attack on...

Sporting a title of almost limitless possibility, the group show Living Today at the Mackintosh Museum assembles works by contemporary artists who explore aspects of the society they live in,...