Here, as ever, Sosnowska’s inquiry into the psychology of architecture is writ large. Four architectonic structures dominate The Modern Institute’s Osborne Street space, their scale belonging to a much larger...
Into the Hands of Housewives and Children continues Jamie Fitzpatrick’s fascination with the contentious issue of genetic research. The show takes its title from an article by outspoken theoretical scientist...
Meeting dinosaurs and partaking in a bit of evolutionary time travel are not everyday occurrences, but according to the work of artist Andy Hope 1930, they really ought to be....
Lit by a single yellow bulb, Luke Fowler and Jean-Luc Guionnet’s live electronic performance is pleasantly devoid of that aesthetic staple of sonic art, blue lighting. The hour-long experimental sound...
Harland Miller’s first exhibition in Scotland draws on his parallel career as a writer in his almost obsessive adaptations of Penguin book covers from the 1930s-60s. The show comprises a...
Following a four-week on-site residency, audiovisual performance artist Robin Fox brings his candidly titled Laser Show to the Glue Factory’s tank room. For anyone wondering, the latter is still a...
Sven Werner’s participatory installation is the follow-up to his highly successful Tales of Magical Realism Part 1. It is an immersive embodiment of Werner’s feature film Oculista, in which a...
Back in Tate Britain this year after its sojourn to the Baltic, the Turner Prize features Spartacus Chetwynd, Luke Fowler, Paul Noble and Elizabeth Price
Considered by certain individuals to be a hive of paranormal activity, the perfectly preserved corridors of Mackintosh’s Scotland Street School are an intelligent setting for Claudia Molitor’s haunting explorations. Regardless...
Entering the almost-bare warehouse room containing the installation by Steev Livingstone (Errors), called The Last Pigeons, the viewer is faced with two square pillars, each with a reel-to-reel tape machine placed...
The premiere of Robbie Thomson’s new live performance work is a truly awesome mix of theatre, music and visual art. It's centerpiece is a Tesla coil mounted within a large...
Our Contemporaries is dystopian sci-fi pared down to basic components. Mookyoung Shin’s futuristic nightmare mixes automation with bureaucracy. Rows of robotic hands count out a choreographed rhythm on a mini-tier...
A minimalist concept masks a complex combination of media in Juste Janulyte’s Sandglasses. Four cellists are encapsulated within large tulle columns, human hourglasses to which the title refers. They each...
Four robots, two artists and one large drawing space, illuminated on the floor. A projector in the ceiling casts images upon the floor and the artists respond to the projections...
The Duchy’s annual pairing of artists at different stages of their career, Aereated Bread Company presents work by Andrew Black, a recent Painting and Printmaking graduate of Glasgow School of...
The first few sculptures in Swiss-born, New York-based artist Ugo Rondinone's debut Scottish exhibition, primitive – hand-made birds cast in bronze, between six and eight inches in height – are...
Showing at CCA, the third and final installment of Olivia Plender’s show Rise Early, Be Industrious, utilises drawing, installation and historical research in an exploration of, well, everything. It is an...
“Dieter was heavy on collecting everything and including everything,” begins Björn Roth in a video accompaniment to his father’s collected diaries. “He didn’t know where to stop.” In trying to...
What is a fallow year for Venice Art Biennale is the big blowout for the architecture world. But as you might expect, the work on show at the 13th International...
It is a brave move to introduce an exhibition by quoting from Shelley's Ozymandias - ''Look on my Works, ye Mighty, and despair!'' – but there is nothing to despair...
